Do you want the graphs with 300 squares to be bigger than your screen, or do you want the graph with 1 square to be 30x30 px for no reason? They're just zoomed.
That's what I mean, I can't imagine why anyone would argue the same thing of graphs in general so I'm curious what the difference makes it so they find it so odd in this specific case.
Musk was not going to win due to the statue of limitations. Altman was wrong to turn a non-profit to a for-profit because they need it more money (really?). Was not the whole point of Open AI to shield artificial intelligence from the amoral practices of capitalistic controls? This is yet another example of our legal system falling short due to the fast an unforeseen changes of society and technology.
I heard Bob Weir on a Desert Island Discs broadcast with the Dead. He said the song Shock the Monkey was the song that got him willing to start using MIDI and digital tech, which the rest of the group had already embraced. Hearing how one artist I loved pulled another artist into a new direction really clicked for me as a music lover. I can't figure how to search their archive or whether it was an American copy with a slightly different title like desert island albums or songs. https://www.bbc.co.uk/programmes/b006qnmr/episodes/player
PG always loved playing with tech. He dropped a decent chunk in the late 90s, early 2000s to build one of the first real music streaming platforms. I worked for him for a while. I put forth the idea of releasing his Up album online in 5.1 surround, and he was happy to do it, and it was the first. (I only did this because I'd just installed a 5.1 system in my car and wanted more content for it)
I remember listening to Donald Fagan’s Nightfly. Still sounds fantastic, though to nitpick perhaps a tad harsh. Amazing thought to have recorded that at approximately the same time as the debut of the primitive original IBM PC.
I wonder if The Nightfly has now been ruined with dynamic compression (AKA "remastered") like everything else over the last couple decades.
My CD player came with Brothers in Arms by Dire Straits, as a demo of dynamic range. That album (a digital recording) has, shamefully, been "remastered" and dynamically compressed.
My uncle had the vinyl, and I got the CD a couple of years later. I see it has "manufactured by Columbia House" on the back. ;-) No loudness war back then, but the treble is brighter than most recordings of the time, leading to a potential tweaking of the knob for the album.
Some early CDs were mastered with pre-emphasis. On players that don't recognise and correct (de-emphasize) this, the sound can sound full of treble. Every hardware CD player should be able to play such discs as intended. iTunes knows about such discs and will rip them correctly, maybe Foobar2000 and CUERipper, but most other software has no clue. I know The Blue Nile "Hats" it's one such disc in my collection. I believe some pressings of The Nightfly were mastered with pre-emphasis. https://www.tnt-audio.com/vintage/procrustes2_pt1_e.html
Similar story! The first disc (and song) I heard was "Let's Dance," David Bowie.
I have hundreds of discs, but only have Let's Dance on vinyl.
I also have the second pop digital recording ever, The Nightly by Donald Fagen, only on vinyl. I use it to show people how good records can sound.
I'm glad I bought and kept so much music when I did, because now the labels have destroyed everything with dynamic (not data) compression. It's disgusting. Now that everyone has dirt-cheap access to pristine recording & playback technology, music sounds like absolute shit because some suits thought it needed to sound "louder."
It's possibly one of the biggest but least-understood crimes against art in all of history.
AI accelerates our rate of energy consumption as we vie for efficiencies and alternative sources of energy. That is concerning.
Maybe the next book will be:
The AI and The Prophet.
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