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Guerilla Open Access Manifesto Aaron Swartz July 2008, Eremo, Italy

https://gist.github.com/usmanity/4522840

"Information is power. But like all power, there are those who want to keep it for themselves. The world’s entire scientific and cultural heritage, published over centuries in books and journals, is increasingly being digitized and locked up by a handful of private corporations. Want to read the papers featuring the most famous results of the sciences? You’ll need to send enormous amounts to publishers like Reed Elsevier.

There are those struggling to change this. The Open Access Movement has fought valiantly to ensure that scientists do not sign their copyrights away but instead ensure their work is published on the Internet, under terms that allow anyone to access it. But even under the best scenarios, their work will only apply to things published in the future. Everything up until now will have been lost.

That is too high a price to pay. Forcing academics to pay money to read the work of their colleagues? Scanning entire libraries but only allowing the folks at Google to read them? Providing scientific articles to those at elite universities in the First World, but not to children in the Global South? It’s outrageous and unacceptable.

“I agree,” many say, “but what can we do? The companies hold the copyrights, they make enormous amounts of money by charging for access, and it’s perfectly legal — there’s nothing we can do to stop them.” But there is something we can, something that’s already being done: we can fight back.

Those with access to these resources — students, librarians, scientists — you have been given a privilege. You get to feed at this banquet of knowledge while the rest of the world is locked out. But you need not — indeed, morally, you cannot — keep this privilege for yourselves. You have a duty to share it with the world. And you have: trading passwords with colleagues, filling download requests for friends.

Meanwhile, those who have been locked out are not standing idly by. You have been sneaking through holes and climbing over fences, liberating the information locked up by the publishers and sharing them with your friends.

But all of this action goes on in the dark, hidden underground. It’s called stealing or piracy, as if sharing a wealth of knowledge were the moral equivalent of plundering a ship and murdering its crew. But sharing isn’t immoral — it’s a moral imperative. Only those blinded by greed would refuse to let a friend make a copy.

Large corporations, of course, are blinded by greed. The laws under which they operate require it — their shareholders would revolt at anything less. And the politicians they have bought off back them, passing laws giving them the exclusive power to decide who can make copies.

There is no justice in following unjust laws. It’s time to come into the light and, in the grand tradition of civil disobedience, declare our opposition to this private theft of public culture.

We need to take information, wherever it is stored, make our copies and share them with the world. We need to take stuff that's out of copyright and add it to the archive. We need to buy secret databases and put them on the Web. We need to download scientific journals and upload them to file sharing networks. We need to fight for Guerilla Open Access.

With enough of us, around the world, we’ll not just send a strong message opposing the privatization of knowledge — we’ll make it a thing of the past. Will you join us?"



How very brave to call for the taking of someone else’s property!


Aaron cofounded Reddit, resigned, turned down multiple opportinities to build out other tech companies, dedicated himself to open access activism and eventually killed himself as he was prosecuted for wire fraud.

Meanwhile, Relx currently has a market cap of £33 bn, and revenue of £8 bn, when it is essentially providing the service of pdf publishing to its unpaid authors and editors.

Arron and Alexandra are extremely brave, and it is Relx and other companies that are taking my property when my tax money is spent to generate research that they then want to charge millions of dollars for others to access.


My point still stands. Very easy to argue for taking other people’s property.


It's not "taking property" if somebody still has the "property" afterwards.


Not a convincing argument. We wouldn’t have artists if their work could just be copied whenever.


That's exactly the difference: the scientists don't get paid from the money you pay the journal. They do the work for free and the reviewers do the work for free. If all the journals somehow disappeared, nothing much would change. In some fields the pre-print is what counts anyways, and you don't pay to download a paper on arXiv.


Your comment makes no sense. No one is forced to publish in these journals. It's a choice. So if these journal did disappear I highly doubt "nothing would change".


The choice of publication venue is driven by prestige. Researchers want to publish in “high impact,” high visibility venues. In many fields those are closed journals, but if those journals magically disappeared the research community would probably just take a bit to figure out a new pecking order, and in that sense nothing would change.

JMLR is an interesting example, where the editorial board of a top journal in the machine learning field basically forked the journal to an open alternative, and of course nobody hesitated to publish there because that’s where the prestige was.

https://en.m.wikipedia.org/wiki/Journal_of_Machine_Learning_...


For new fields like machine learning, there are free, open access journals that work perfectly well in filtering the highest quality research.

It is helpful to have top tier journals like Nature, but the value is generated by the editors and article submittors. If we shut down the top journals tomorrow new open access ones would quickly take their place, and the behaviour of their owners is parasitic.


Citation needed.

The notion that we have no art or artists unless compensated appears to imply money somehow causes art.

If this were the case, then why all the fuss when capitalist music and art industry “discover” an artist? Sure, some pop groups are created, but the greats are discovered, long existing, before glommed onto by publishers or labels.

The argument that artist was not already creating art, uncompensated, for the sake of creation and, particularly for music, sharing, seems without basis in clear objective reality of where art comes from or what ‘causes’ artists to create art.

Perhaps you’re confusing distribution with art. The distribution industry would look very different if sharing were frictionless from artist to fan to fan and no middleman had to get a vig.


Such is the complexity of laws, that, through a series of steps that each seem reasonable individually, one can become an owner of a thing that should not be their property.


I think that called confiscation without compensation which is against the law?


> confiscation without compensation

That could be what Elsevier & friends are guilty of, but I'd like to see a chain of reasoning that makes it obvious.




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